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Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Liam Craig as the title character, rehearsing for the Hudson Valley Shakespeare Festival adaptation of “Rip Van Winkle.”

Loving and Hating the Broadway Season: Our Critics Could Have Argued All Night

Loving and Hating the Broadway Season: Our Critics Could Have Argued All Night

Lauren Ambrose in the title role of “My Fair Lady,” a revival nominated for 10 Tony Awards.

Review: A Raucous Wake for ‘Our Lady of 121st Street’

Review: A Raucous Wake for ‘Our Lady of 121st Street’

From left, Hill Harper, Quincy Tyler Bernstine, Dierdre Friel and Kevin Isola in “Our Lady of 121st Street” at the Signature Theater.

From Three Troubled Lives, a Play and a New Family

From Three Troubled Lives, a Play and a New Family

Lucy Thurber with Alexander Lambie, left, and Cesar Rosado, two students who inspired her play “Transfers.”

Rupert Everett Gets His Oscar (Wilde, That Is)

Rupert Everett Gets His Oscar (Wilde, That Is)

Left, the Irish writer Oscar Wilde; right, Rupert Everett as Wilde in “The Judas Kiss.”

The Gritty Club at the Heart of ‘This Ain’t No Disco’

The Gritty Club at the Heart of ‘This Ain’t No Disco’

Samantha Marie Ware, left, and Will Connolly in “This Ain’t No Disco,” a new musical that draws inspiration from the Mudd Club and New York of 1979.

How Orin Wolf Orchestrated a Tony Coup With ‘The Band’s Visit’

How Orin Wolf Orchestrated a Tony Coup With ‘The Band’s Visit’

The producer Orin Wolf embracing Sasson Gabay, who will succeed Tony Shalhoub in “The Band’s Visit,” during a party after the musical won 10 Tony awards.

Review: ‘Straight White Men,’ Now Checking Their Privilege on Broadway

Review: ‘Straight White Men,’ Now Checking Their Privilege on Broadway

From left, Stephen Payne, Josh Charles, Armie Hammer and Paul Schneider are the father and sons of Young Jean Lee’s “Straight White Men,” which opened on Broadway on Monday.

Blind to Race, Gender and Disability, Shakespeare’s Globe Goes a New Way

Blind to Race, Gender and Disability, Shakespeare’s Globe Goes a New Way

Colin Hurley as the Ghost and Michelle Terry as the title character in “Hamlet,” directed by Federay Holmes and Elle While, at Shakespeare’s Globe.

How Broadway Keeps Trying to Get the Disco Beat

How Broadway Keeps Trying to Get the Disco Beat

Ariana DeBose, center, in “Summer The Donna Summer Musical.” which features such hits as “Hot Stuff” and “I Feel Love.”

Another Harry Potter Landmark: At $68 Million, the Most Expensive Broadway Nonmusical Play Ever

Another Harry Potter Landmark: At $68 Million, the Most Expensive Broadway Nonmusical Play Ever

The Lyric Theater underwent major renovations for “Harry Potter and the Cursed Child,” including exterior additions that are symbolic to the play: a wing on the facade and a rooftop nest with a child huddled inside.

He’s the Producer. She’s the Talent. Who Owns the Hit Record?

He’s the Producer. She’s the Talent. Who Owns the Hit Record?

“I know what it’s like to be in a room with a rock star,” said Joe Penhall, whose new play “Mood Music” is about the recording industry.

Review: The Ghosts of Michael Brown, in ‘Until the Flood’

Review: The Ghosts of Michael Brown, in ‘Until the Flood’

Dael Orlandersmith conducted interviews in and around Ferguson, Mo., to create the characters in her anguished one-woman show “Until the Flood.”

Review: A ‘Carousel’ That Spins on a Romantically Charged Axis

Review: A ‘Carousel’ That Spins on a Romantically Charged Axis

Jessie Mueller as Julie Jordan and Joshua Henry as Billy Bigelow in the revival of “Carousel.”

Review: An Impresario of ‘Fire and Air’ (if He Does Say So Himself)

Review: An Impresario of ‘Fire and Air’ (if He Does Say So Himself)

In “Fire and Air,” James Cusati-Moyer, sitting in the foreground, is the dancer Nijinsky and Douglas Hodge, behind him in the top hat, is the impresario Diaghilev. Members of their circle, from left: Marsha Mason, John Glover and Marin Mazzie.


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